Notes on material, on light, and on the things a drawing cannot settle.

An empty room before the work begins, late sun through a sash window laying a bar of light across bare floorboards and a plastered wall.

Process

Why we begin on site

A single pale stone with a honed face resting on a plaster ground, the shadow of an olive branch falling across the wall behind it.

Materials

Honed stone field guide

The living room at Casa Margeride a year after handover, linen seating and an oak table settled in under a framed winter photograph.

Projects

Casa Margeride, year on

Folded linen in four naturals stacked beside a timber rail, afternoon light across a clay coloured wall.

Craft

Choosing linen that lasts

A close view of lime plaster in raking light, fine cracks and trowel marks held in the surface.

Materials

Lime plaster, and how it holds light

Unlacquered brass photographed close, the surface clouding from polish toward a deep tarnish.

Craft

Why we leave brass unlacquered

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